arte ousada, o que é?

John Bock's Language Cream
http://www.youtube.com/watch?v=intgp3z1GIk

Portunhol Selvagem
http://www.youtube.com/watch?v=5CT7zQgg5gA

P.H.D.
www.artescenicas.th.com.br/fotos

Erro Grupo- Wash your hands and feel better
http://www.blogger.com/post-create.g?blogID=4447455357407372000

Erro grupo-Enfim um lider
http://www.errogrupo.com.br/port/index.html

Terra em transito-Gerald Thomas
http://www.youtube.com/watch?v=Nh-qllOYZFw&feature=related http://www.youtube.com/watch?v=Qk1KB0Xhbok
http://www.youtube.com/watch?v=zxIiZaY-6YQ&feature=related Balavat http://www.balavat.de/287.html http://www.balavat.de/344.html

Vinegar Tom
http://www.youtube.com/watch?v=o1as9lbc7qc&feature=related A Danca de

Sasha Waltz
http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch= http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch=
http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch=

We are nothing but bodies: The dance of Sasha Waltz

What is the art of dance about? Is it about movement? Is it about emotion? For Sasha Waltz it is about the body. She is one of the leading names of german contemporary dance. She was trained in the Wigmann scholl and is an heir of the expressionist german tradition in dance. For some she is the new Pina Bauch, although she denies being the heiress of the founder of the German Tanz Teater, and consider herself more influenced by the American choreographer Trisha Brown. One of Waltz’s main and most impressive ballet is Korper. As Judy Machrell described it in the Gardian: “On a dark monochrome stage, part laboratory and part magic box, 14 dancers are placed in a range of experimental scenarios. The first looks familiar enough, with four smartly costumed men and women dancing with stark purpose and energy. But then the light switches on and we are confronted by two nearly naked bodies, pinioned behind glass against a wall. More bodies slither in to join them in this tiny space, some mysteriously dropping from above, others sliding from the side. Their eyes are shut, their movements blind, and we seem to be looking at a colony of insects, or cells moving at random on a microscope slide.
Sasha aimed at presenting the body as a raw stuff that can combine with other bodies in other to make many different images, such a two-headed woman, a man whose reflection is a woman, a body whose legs go backwards, a body that has two torsos.These combinations are also metaphors of the human experience as human beings: trafficking in body parts, plastic surgery, being measured for beds or coffins, For some, they had the look of surrealism, but, for others this was the nude methaphor of the holocaust. The naked bodies on the floor, mixed with each other, cannot avoid the reminder of a concentration camp. Waltz does not explicitly accept this connotation, but she admits that she is talking about pain of desumanization, and the holocaust is only one example of this. As she said to Taipei Times , she was very influenced by Daniel Liebeskind's Jewish Museum in Berlin, where she did a series of choreographic sketches while working on Korper, especially the void he created in memory of all the people who died. "As a German, this is our historical pain [the Holocaust], but there are still other such pains today," She is right about the other such pains, and the naked body of desumanization can be seen in other camps as well: Kosovo, Iraq, Guantanamo.
The idea of a nude body that lacks a human identity is also explored in the work of Agambem, the Homo Sacer. The Home Sacer is the concept which Agambem uses to denote the desumanization of the concentration camps. He employ the ancient concept of Homo Sacer as someone who can be killed, although cannot be a sacrifice to God. Are we something more than a body? Korper is a part of a triology, which also contaisn S and nowhere. The second piece of the triology is S, which has the function of being the middle term between the physical human being (Korper) and the methaphisical one (nowhere). S deals with eros and sexuality, representing this idea of eros as the conection between the body and soul. While Korper represents the oure body, S points to a superation of the pure physical towards the methaphisical self. S is also the ballet of movement, of the living body. Sasha explores the idea of living bodies in very slow movements of the dancer’s body. NoBody is the last ballet of the triology about humans and their bodies. It addresses methaphysical questions: what does it mean to be beyond a body? What part of the human being is immortal? The challenge of this last part of the tryology is to show the non physical body through the physical one.