marcia tiburi e douglas diegues
http://video.google.de/videoplay?docid=5428959135163929593&hl=de
o melhor rock de Floripa é feito por mulheres
juliana e 3 jay
http://video.google.de/videoplay?docid=3652855193663472197&hl=de
vinegar tom
http://video.google.de/videoplay?docid=-7395276248192713235&hl=de
http://video.google.de/videoplay?docid=-1779141182557424566&hl=de
eu adoro os quadros do antônio vargas
http://video.google.de/videoplay?docid=-4993184243217453790&hl=de
a estréia da néia
http://video.google.com/videoplay?docid=6219591501750482432&hl=de
um pouco de Hölderlin
http://video.google.de/videoplay?docid=-4940371536640046183&hl=de
danca na terceira idade
http://video.google.de/videoplay?docid=-2967571263656741373&hl=de
sábado, 27 de setembro de 2008
quarta-feira, 24 de setembro de 2008
semana ousada de arte UFSC UDESC
Sarau
http://video.google.de/videoplay?docid=-6538657520051449362&hl=de
Performance PHD
http://video.google.de/videoplay?docid=-5268868296756294489&hl=de
Filmando um cineasta
http://video.google.de/videoplay?docid=7975283470324276387&hl=de
http://video.google.de/videoplay?docid=-5158138661697760208&hl=de
Lave suas maos
http://video.google.de/videoplay?docid=-5931202986417321461&hl=de
Portunhol selvagem
http://video.google.de/videoplay?docid=7285530442345801967&hl=de
Abertura da semana ousada: um sonho sonhado virando realidade
Há alguns anos atrás, quando eu ainda era coordenadora da pós-graduação em Filosofia, conheci um Pró-reitor que me encantou pela sua dedicação à ciência, pela sua inteligência e sensibilidade. Com ele, eu sonhei alguns sonhos, entre os quais, o de uma Universidade Culta e Ousada.
Magnífico Reitor Prof. Álvaro Prata, esse é o nosso sonho que começa a acontecer.
Muitas pessoas trabalharam para que essa semana fosse possível. As meninas super- poderosas, Rose, Sandra e Ana da Secarte são as que tornaram nosso sonho realidade. Gostaria de agradecer a toda minha equipe: Clovis, Zeca, Lia, Joi, Barbosa, dona Ana e as pessoas que fizeram essa semana acontecer: Juliana, Ana, Jucélia, Sergio Medeiros, Clóvis Werner, Alai e as meninas maluquinhas Aglair e Clélia. À Débora, Pró-Reitora de pesquisa e extensao, pela sua generosidade, ao Paraná e ao Petrus e pelo apoio aos projetos da Secarte.
A todos que acreditaram que é possível transformar a UFSC numa Universidade para a qual a arte vale o mesmo que a ciência e a cultura o mesmo que a técnica.
Gostaria também de agradecer à Claudia Messores, pela pureza em não reconhecer rivalidades entre as duas Universidades, UFSC e UDESC e pela alegria contagiante. À FCC, especialmente à Anita Pires, sempre aberta a novas iniciativas e uma grande incentivadora da cultura em nosso Estado. Ao Banco do Brasil, que nos apoiou mesmo com uma solicitação tão em cima da hora.
Algumas pessoas em ensinaram que a arte é uma luta constante. Há algum tempo atrás, alguém escreveu numa revista:
“Esta revista se propõe, na medida das coisas possíveis, revelar os valores novos e acompanhar as idéias do mundo atual”. Tal foi escrito pelo Prof. Aníbal Nunes Pires, cujo filho, Zeca Pires, eu tenho o prazer de ter ao meu lado nesta luta pela arte e cultura em Santa Catarina.
Que essa memória, que é uma memória da cultura catarinense, inspire e abençoe a nossa trajetória.
Obrigada,
Dudi
http://video.google.de/videoplay?docid=-6538657520051449362&hl=de
Performance PHD
http://video.google.de/videoplay?docid=-5268868296756294489&hl=de
Filmando um cineasta
http://video.google.de/videoplay?docid=7975283470324276387&hl=de
http://video.google.de/videoplay?docid=-5158138661697760208&hl=de
Lave suas maos
http://video.google.de/videoplay?docid=-5931202986417321461&hl=de
Portunhol selvagem
http://video.google.de/videoplay?docid=7285530442345801967&hl=de
Abertura da semana ousada: um sonho sonhado virando realidade
Há alguns anos atrás, quando eu ainda era coordenadora da pós-graduação em Filosofia, conheci um Pró-reitor que me encantou pela sua dedicação à ciência, pela sua inteligência e sensibilidade. Com ele, eu sonhei alguns sonhos, entre os quais, o de uma Universidade Culta e Ousada.
Magnífico Reitor Prof. Álvaro Prata, esse é o nosso sonho que começa a acontecer.
Muitas pessoas trabalharam para que essa semana fosse possível. As meninas super- poderosas, Rose, Sandra e Ana da Secarte são as que tornaram nosso sonho realidade. Gostaria de agradecer a toda minha equipe: Clovis, Zeca, Lia, Joi, Barbosa, dona Ana e as pessoas que fizeram essa semana acontecer: Juliana, Ana, Jucélia, Sergio Medeiros, Clóvis Werner, Alai e as meninas maluquinhas Aglair e Clélia. À Débora, Pró-Reitora de pesquisa e extensao, pela sua generosidade, ao Paraná e ao Petrus e pelo apoio aos projetos da Secarte.
A todos que acreditaram que é possível transformar a UFSC numa Universidade para a qual a arte vale o mesmo que a ciência e a cultura o mesmo que a técnica.
Gostaria também de agradecer à Claudia Messores, pela pureza em não reconhecer rivalidades entre as duas Universidades, UFSC e UDESC e pela alegria contagiante. À FCC, especialmente à Anita Pires, sempre aberta a novas iniciativas e uma grande incentivadora da cultura em nosso Estado. Ao Banco do Brasil, que nos apoiou mesmo com uma solicitação tão em cima da hora.
Algumas pessoas em ensinaram que a arte é uma luta constante. Há algum tempo atrás, alguém escreveu numa revista:
“Esta revista se propõe, na medida das coisas possíveis, revelar os valores novos e acompanhar as idéias do mundo atual”. Tal foi escrito pelo Prof. Aníbal Nunes Pires, cujo filho, Zeca Pires, eu tenho o prazer de ter ao meu lado nesta luta pela arte e cultura em Santa Catarina.
Que essa memória, que é uma memória da cultura catarinense, inspire e abençoe a nossa trajetória.
Obrigada,
Dudi
terça-feira, 9 de setembro de 2008
Semana Ousada de Arte
Enfim, chegou a primeira semana ousada de arte UFSC/UDESC!!!!
Confiram a programação:
www.semanaousada.ufsc.udesc.br
Confiram a programação:
www.semanaousada.ufsc.udesc.br
domingo, 7 de setembro de 2008
Primatas românticos
À Binni, que me faz lembrar que o amor nada mais é do que uma forca animal com grande importância para a conservacao da espécie
http://video.google.com/videoplay?docid=5195905259494052930&q=source:006125189878020216809&hl=de
A poesia mais linda de amor que uma mulher já escreveu para um homem
How do I love thee? Let me count the ways.
I love thee to the depth anf breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right
I love thee purely, as they turn to praise
I love thee with a passion put to use
Im my old griefs, and with my childhood's faith
I love thee with a love I seemed to lose
With my lost saints-I love thee with the breath,
Smiles, tears of all my life!- and, if God choose,
I shall but love thee after death
Elizabeth Barret Browning
http://video.google.com/videoplay?docid=5195905259494052930&q=source:006125189878020216809&hl=de
A poesia mais linda de amor que uma mulher já escreveu para um homem
How do I love thee? Let me count the ways.
I love thee to the depth anf breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right
I love thee purely, as they turn to praise
I love thee with a passion put to use
Im my old griefs, and with my childhood's faith
I love thee with a love I seemed to lose
With my lost saints-I love thee with the breath,
Smiles, tears of all my life!- and, if God choose,
I shall but love thee after death
Elizabeth Barret Browning
sábado, 6 de setembro de 2008
terça-feira, 2 de setembro de 2008
Nome próprio: a dor sao poros por onde transpira a escrita
Nome Próprio nao tem um final feliz, mas eu nao gosto de filmes com finais felizes, pois parecem muito diferentes da minha vida. O idílico Daniel, com quem Camila vive um profundo e intenso caso de amor de tres dias (Nunca, nada foi tao bom, ela escreve na parede), é encontrado num bar com uma moca insossa. Camila o enfrenta, mas nao com o vocabulário da seduzida e abandonada, da que foi comida e largada. Ela o enfrenta, nao como objeto do desejo masculino, porque ela fala, ela escreve. A palavra a torna sujeito. Sujeito de um sexo intenso, que eles viveram e cuja intensidade nao é assumida por ele. "Voce me ama", Camila diz em vários momentos para os seus homens. Mas eles nao a amam, ou amam e nao tem coragem de amá-la. Porque os homens sao uns babacas. Mas Camila será sempre minha heroína.
http://www.youtube.com/watch?v=oF-vyspj0o0&feature=related
os caras de camila . Daniel http://www.youtube.com/watch?v=bvuyJ_dRE_E&feature=related
http://www.youtube.com/watch?v=oF-vyspj0o0&feature=related
os caras de camila . Daniel http://www.youtube.com/watch?v=bvuyJ_dRE_E&feature=related
arte ousada, o que é?
John Bock's Language Cream
http://www.youtube.com/watch?v=intgp3z1GIk
Portunhol Selvagem
http://www.youtube.com/watch?v=5CT7zQgg5gA
P.H.D.
www.artescenicas.th.com.br/fotos
Erro Grupo- Wash your hands and feel better
http://www.blogger.com/post-create.g?blogID=4447455357407372000
Erro grupo-Enfim um lider
http://www.errogrupo.com.br/port/index.html
Terra em transito-Gerald Thomas
http://www.youtube.com/watch?v=Nh-qllOYZFw&feature=related http://www.youtube.com/watch?v=Qk1KB0Xhbok
http://www.youtube.com/watch?v=zxIiZaY-6YQ&feature=related Balavat http://www.balavat.de/287.html http://www.balavat.de/344.html
Vinegar Tom
http://www.youtube.com/watch?v=o1as9lbc7qc&feature=related A Danca de
Sasha Waltz
http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch= http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch=
http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch=
We are nothing but bodies: The dance of Sasha Waltz
What is the art of dance about? Is it about movement? Is it about emotion? For Sasha Waltz it is about the body. She is one of the leading names of german contemporary dance. She was trained in the Wigmann scholl and is an heir of the expressionist german tradition in dance. For some she is the new Pina Bauch, although she denies being the heiress of the founder of the German Tanz Teater, and consider herself more influenced by the American choreographer Trisha Brown. One of Waltz’s main and most impressive ballet is Korper. As Judy Machrell described it in the Gardian: “On a dark monochrome stage, part laboratory and part magic box, 14 dancers are placed in a range of experimental scenarios. The first looks familiar enough, with four smartly costumed men and women dancing with stark purpose and energy. But then the light switches on and we are confronted by two nearly naked bodies, pinioned behind glass against a wall. More bodies slither in to join them in this tiny space, some mysteriously dropping from above, others sliding from the side. Their eyes are shut, their movements blind, and we seem to be looking at a colony of insects, or cells moving at random on a microscope slide.
Sasha aimed at presenting the body as a raw stuff that can combine with other bodies in other to make many different images, such a two-headed woman, a man whose reflection is a woman, a body whose legs go backwards, a body that has two torsos.These combinations are also metaphors of the human experience as human beings: trafficking in body parts, plastic surgery, being measured for beds or coffins, For some, they had the look of surrealism, but, for others this was the nude methaphor of the holocaust. The naked bodies on the floor, mixed with each other, cannot avoid the reminder of a concentration camp. Waltz does not explicitly accept this connotation, but she admits that she is talking about pain of desumanization, and the holocaust is only one example of this. As she said to Taipei Times , she was very influenced by Daniel Liebeskind's Jewish Museum in Berlin, where she did a series of choreographic sketches while working on Korper, especially the void he created in memory of all the people who died. "As a German, this is our historical pain [the Holocaust], but there are still other such pains today," She is right about the other such pains, and the naked body of desumanization can be seen in other camps as well: Kosovo, Iraq, Guantanamo.
The idea of a nude body that lacks a human identity is also explored in the work of Agambem, the Homo Sacer. The Home Sacer is the concept which Agambem uses to denote the desumanization of the concentration camps. He employ the ancient concept of Homo Sacer as someone who can be killed, although cannot be a sacrifice to God. Are we something more than a body? Korper is a part of a triology, which also contaisn S and nowhere. The second piece of the triology is S, which has the function of being the middle term between the physical human being (Korper) and the methaphisical one (nowhere). S deals with eros and sexuality, representing this idea of eros as the conection between the body and soul. While Korper represents the oure body, S points to a superation of the pure physical towards the methaphisical self. S is also the ballet of movement, of the living body. Sasha explores the idea of living bodies in very slow movements of the dancer’s body. NoBody is the last ballet of the triology about humans and their bodies. It addresses methaphysical questions: what does it mean to be beyond a body? What part of the human being is immortal? The challenge of this last part of the tryology is to show the non physical body through the physical one.
http://www.youtube.com/watch?v=intgp3z1GIk
Portunhol Selvagem
http://www.youtube.com/watch?v=5CT7zQgg5gA
P.H.D.
www.artescenicas.th.com.br/fotos
Erro Grupo- Wash your hands and feel better
http://www.blogger.com/post-create.g?blogID=4447455357407372000
Erro grupo-Enfim um lider
http://www.errogrupo.com.br/port/index.html
Terra em transito-Gerald Thomas
http://www.youtube.com/watch?v=Nh-qllOYZFw&feature=related http://www.youtube.com/watch?v=Qk1KB0Xhbok
http://www.youtube.com/watch?v=zxIiZaY-6YQ&feature=related Balavat http://www.balavat.de/287.html http://www.balavat.de/344.html
Vinegar Tom
http://www.youtube.com/watch?v=o1as9lbc7qc&feature=related A Danca de
Sasha Waltz
http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch= http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch=
http://video.google.com/videosearch?q=Sasha+Waltz&hl=de&sitesearch=#q=Sasha%20Waltz%20Korper&hl=de&sitesearch=
We are nothing but bodies: The dance of Sasha Waltz
What is the art of dance about? Is it about movement? Is it about emotion? For Sasha Waltz it is about the body. She is one of the leading names of german contemporary dance. She was trained in the Wigmann scholl and is an heir of the expressionist german tradition in dance. For some she is the new Pina Bauch, although she denies being the heiress of the founder of the German Tanz Teater, and consider herself more influenced by the American choreographer Trisha Brown. One of Waltz’s main and most impressive ballet is Korper. As Judy Machrell described it in the Gardian: “On a dark monochrome stage, part laboratory and part magic box, 14 dancers are placed in a range of experimental scenarios. The first looks familiar enough, with four smartly costumed men and women dancing with stark purpose and energy. But then the light switches on and we are confronted by two nearly naked bodies, pinioned behind glass against a wall. More bodies slither in to join them in this tiny space, some mysteriously dropping from above, others sliding from the side. Their eyes are shut, their movements blind, and we seem to be looking at a colony of insects, or cells moving at random on a microscope slide.
Sasha aimed at presenting the body as a raw stuff that can combine with other bodies in other to make many different images, such a two-headed woman, a man whose reflection is a woman, a body whose legs go backwards, a body that has two torsos.These combinations are also metaphors of the human experience as human beings: trafficking in body parts, plastic surgery, being measured for beds or coffins, For some, they had the look of surrealism, but, for others this was the nude methaphor of the holocaust. The naked bodies on the floor, mixed with each other, cannot avoid the reminder of a concentration camp. Waltz does not explicitly accept this connotation, but she admits that she is talking about pain of desumanization, and the holocaust is only one example of this. As she said to Taipei Times , she was very influenced by Daniel Liebeskind's Jewish Museum in Berlin, where she did a series of choreographic sketches while working on Korper, especially the void he created in memory of all the people who died. "As a German, this is our historical pain [the Holocaust], but there are still other such pains today," She is right about the other such pains, and the naked body of desumanization can be seen in other camps as well: Kosovo, Iraq, Guantanamo.
The idea of a nude body that lacks a human identity is also explored in the work of Agambem, the Homo Sacer. The Home Sacer is the concept which Agambem uses to denote the desumanization of the concentration camps. He employ the ancient concept of Homo Sacer as someone who can be killed, although cannot be a sacrifice to God. Are we something more than a body? Korper is a part of a triology, which also contaisn S and nowhere. The second piece of the triology is S, which has the function of being the middle term between the physical human being (Korper) and the methaphisical one (nowhere). S deals with eros and sexuality, representing this idea of eros as the conection between the body and soul. While Korper represents the oure body, S points to a superation of the pure physical towards the methaphisical self. S is also the ballet of movement, of the living body. Sasha explores the idea of living bodies in very slow movements of the dancer’s body. NoBody is the last ballet of the triology about humans and their bodies. It addresses methaphysical questions: what does it mean to be beyond a body? What part of the human being is immortal? The challenge of this last part of the tryology is to show the non physical body through the physical one.
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